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Cataloghi interrogati: Catalogo delle Biblioteche Liguri
Ricerca: Titolo uniforme = The last legion <film ; 2007> >> Anno di pubblicazione = 2022
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Livello bibliografico Monografia
Tipo di materiale Testo a stampa
Titolo Beethoven the European : Transcultural Contexts of Performance, Interpretation and Reception / edited by Malcom Miller, William Kinderman
Editore,distributore, ecc. Turnhout ; Lucca : Brepols ; Centro Studi Opera Omnia Luigi Boccherini, ©2022
Descrizione fisica xix, 410 p. ; 26 cm
Collezione Speculum musicae / general editor Roberto Illiano ; 48
Lingua di pubblicazione INGLESE
Paese di pubblicazione ITALIA
ISBN 9782503602905
Note Saggi dalla International online conference, Centro Studi Opera Omnia Luigi Boccherini e Parnassum, 4-6- dicembre 2020
Nota di contenuto Politics, Aesthetics and Ideology: W. Kinderman, Beethoven’s Ninth Symphony as a Disputed Symbol of Community: From Thomas Mann’s Doktor Faustus to the Brexiteers of 2019; M. Christoforidis - P. TregearBeethoven, the Congress of Verona, and the Concert of Europe in 1822/1823; D. B. Dennis, Beethoven’s 100th Todestag in 1927: Ideological Battles over the Composer and His Music in Weimar Political Culture; S. Iitti, Patriotism and Islam in Ludwig van Beethoven’s The Ruins of Athens, Op. 113, and King Stephen, Op. 117; A. Pare, Beethoven as a Transnational Composer: Straßenmusik, Verbunkos and the Trio Op. 11 ‘Gassenhauer’; S. Cooper, Beethoven, His Circle and Horace.Reception across Europe and beyond: M. Encina Cortizo - R. Sobrino, Interpreting Beethoven in Spain in the 19th Century: The Arrival of His Symphonic Music to a Nascent Concert Life; C. Sintoni, Ludwig van Beethoven and His Reception in Piano Methods of the First Half of the 19th Century; F. de La GrandvilleWho Are You, Mr Bethowen?; D. Hurwitz, Beethoven’s French Liturgical Organ Music – No, Really; D. Rowland, Further Light on Clementi’s 1807 Contract with Beethoven; M. Koshikakezawa, Beethoven’s ‘Moonlight’ Sonata and the Japanese Reception of Western Music; A. Minkus; Reception and Reflection of Beethoven’s Works at the Philharmonic Society of New York (1842-1892).Performance and Analysis: B. Cooper, Performing Beethoven’s Vocal Music in the 21st Century; N. Kellenberger, Beethoven’s Violin Concerto Opus 61: Toward Performance of Alternate Solo Violin Parts; M. Miller, Beethoven’s Registral Structures and Strategies of Transcendence in the Late Piano Sonatas; E. Papanikolaou, Uwe Scholz’s Choreographic Conception of Beethoven’s Seventh Symphony; P. Du Krol, The Whimsical Character of Beethoven’s Salieri Piano Variations, WoO 73 (1799).
Titolo uniforme Beethoven the European
Soggetti Beethoven, Ludwig : van (Soggettario di Firenze)
Classificazione Dewey 780.924 - (edizione 21)
Nomi [Curatore] Kinderman, William
[Curatore] Miller, Malcom
Identificativo record URB0977975
Dove lo trovi
BibliotecaCollocazioneInventarioNote all'inventario
Biblioteca del Conservatorio N. Paganini <Genova>B K. 2. 6. 000053396 


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